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Movie title: A Simple Plan

Video Name: A Simple Plan
Genre: Crime, Movies
Video Tags:
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Views:	149.874	Quality:	High quality	Sound:	Stereo
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A Simple Plan Movie Poster and info

Category: Crime
All Genres: Crime, Drama, Thriller
Release Year: 1998
Country: USA, UK, France, Germany, Japan
Runtime: 121
Rating: 2.6 (0)
Languages: English
Director: Sam Raimi
Sound: DTS, Dolby Digital
Taglines:

Writing by: Scott B. Smith – (novel)
Scott B. Smith – (screenplay)

Produced by: Mark Gordon – executive producer
James Jacks – producer
Gary Levinsohn – executive producer
Michael Polaire – co-producer
Adam Schroeder – producer

Cast: Bill Paxton – Hank Mitchell
Bridget Fonda – Sarah Mitchell
Billy Bob Thornton – Jacob Mitchell
Brent Briscoe – Lou Chambers
Jack Walsh – Tom Butler
Chelcie Ross – Sheriff Carl Jenkins
Becky Ann Baker – Nancy Chambers
Gary Cole – Neil Baxter
Bob Davis – FBI Agent Renkins
Peter Syvertsen – FBI Agent Freemont
Tom Carey – Dwight Stephanson

Music: Danny Elfman
Official Website: Visit Website


Plot Outline: Two brothers and a friend find $4 million in the cockpit of a downed plane. The pilot is dead. No one is looking for the money. To keep it, all they have to do is wait. IT ALL SOUNDED SO SIMPLE…
Plot: Three diverse characters, for the most part intellectually challenged, find a deserted plane with a bag full of millions of dollars inside. They devise a simple plan to keep the money if no-one claims it. Ofcourse, nothing turns out simple…

Crazy Credits: We know about 1 Crazy Credits. One of them reads:
There is a credit in Rising Sun thanking “The MIT Leg Lab” and “Marc Raibert and his Running Team.” This refers to a short scene where the two detectives go out to a fancy-looking research lab (really a water treatment plant; also used as the set for Starfleet Academy on the TV series “Star Trek – The Next Generation). In the background of some of the shots there are two legged robots: one hopping in a circle in a tea-house; the other bouncing up a garden path.    These robots are actually academic research projects from the MIT AI Labs Legged Locomotion Lab. They really do hop about and maintain their balance. Power comes from off-board hydraulic pumps (hence the guy in the background (me!) pulling hoses for the robot), and body attitude is sensed with gyroscopes. A human with a joystick tells the robot what direction to go, and the control algorithms (which are the real subject of Leg Lab research) maintain speed, direction, and balance.    However, the robots arent designed for special effects. Theyre always being modified, and they tend to break down frequently. This made shooting in the hot july sun of the San Fernando Valley a real nightmare, with transputers crashing in the heat, stuck gyros, and hydraulic leaks.    Three grad students and a professor worked steadily for about a month before Hollywood, and then five days on the set and on location to get the robots in about 15 seconds of film. The credits are: Marc Raibert (our prof), and Charles Francois, Rob Playter and Lee Campbell (me) who are students. We three students appear in the film in white lab coats acting like Robot Scientists!!

Goofs: We know about 11 goofs. Here comes one of them:
Continuity: In an early scene, the Mitchells appear to look straight out their bedroom window to watch Jacobs pickup coming up the driveway, but a later outdoor shot of the house shows no front window that would provide quite that same view; further, the front windows are a different style.

Trivia: There are 10 entries in the trivia list – like these:

• A scene with Billy Bob Thornton and Bill Paxton was lost by Northwest Airlines in January 1998 while in transit from Minnesota to Los Angeles. The missing scene had been shot in Minnesota. The film was insured, and the missing scene was re-shot.
• Sam Raimi learned some techniques about shooting in the heavy snow from the Coen brothers, friends of his who had been responsible for Fargo (1996).
• Between 1994 and 1996, Ben Stiller was set to direct this film with Nicolas Cage to star. When Cages salary began to affect the films overall budget, Stiller walked away. The reins were then given over to John Dahl who later left the project to be replaced by director John Boorman. Meanwhile, Emma Thompson was considering the part of Sarah Mitchell but, after a while, declined. Finally, Thomas signed on and Raimi replaced Boorman and production was set to go… three years after the rights were sold to Mike Nichols for a reported $250,000 (U.S.) “against” $750,000.





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