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Movie title: Jailhouse Girls (1984)

Video Name: Jailhouse Girls (1984)
Genre: Adult
Video Tags: Adam Film;, Arthur Ben;, Chelsea Blake;, Dick Howard;, Frank Serrone;, George Payne;, Ginger falls;, Ginger Lynn;, Herb Nitke;, Jeremy Stone;, Joanne MacIntyre;, Joey Silvera;, Kelly Nichols;, Ned Morehead;, Nibo Films;, Paul Thomas;, Raven's trademark lethargy;, Raven;, Ron Dorfman;, Ron Sullivan;, rubber;, SEX SPA;, TABOO American STYLE;, Tim Madigan;, Vulva, Women's Prison,
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Views:	149.874	Quality:	High quality	Sound:	Stereo
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Jailhouse Girls (1984) Movie Poster and info

Genre : Adult

Although it can’t even begin to compare in quality and scope to his landmark four part mini series TABOO American STYLE, this solid sleeper ranks among the late Ron Sullivan’s more accomplished efforts for producer Herb Nitke’s cost-conscious Nibo Films for whom he had previously made the merely workmanlike PUSSYCAT GALORE and SEX SPA USA alongside the occasional bullseye like MANEATERS or the massively underrated NASTY GIRLS. Making the most out of limited resources, Ron pulled surprisingly few punches in this dark women in prison drama at a time when most similarly themed fare such as Ned Morehead’s DESPERATE WOMEN was played almost strictly for laughs. Restricted by the convincingly cavernous set for most of the running time, veteran DoP Ron Dorfman a/k/a “Arthur Ben” still manages a few striking compositions such as the framing of Raven’s duplicitous character as Kristara Barrington slips out of cell for an illicit after dark rendezvous with guard Frank Serrone, the incident that fuels the inmates’ revolt without which no WIP flick would be complete.

Still in the early stages of her superstar career, Ginger Lynn makes for a compelling wrongfully imprisoned heroine as poor put upon Joanne MacIntyre, working her way through college as a nighttime receptionist at a sleazy no tell motel. Charged with prostitution along with the bona fide hookers, of whom only pom pom twirling Taija Rae is lucky enough to make a clean getaway, she’s hauled into the paddy wagon and promptly taken advantage off by creepy guard Joey Silvera whose customary manic intensity makes him all too convincing in the role. Also playing to type, smarmy and suave, but cast very much against – which serves to render the familiar interesting again by presenting it in an unusual context – is Paul Thomas as the iron fist in rubber glove prison warden who calmly informs Joanne the sailing will be much smoother if she learns to play ball, including his pair at some as yet unspecified later date !

Her fellow inmates provide the usual motley gang of stock characters from Raven’s self-serving tattle tail Paulette to Barrington’s cheerfully upbeat Jane about to get her spirits crushed in solitary by the warden and his tough as nails head guard Chelsea Blake, a memorable sequence both stark and uncompromising, really highlighting Kristara’s rarely tapped into acting abilities. Ominously hovering between them is long term incarceree Kelly Nichols whose crimes remain shrouded in mystery but whose moniker (“Killer”) does not bode well.

Even though she would go on record as being rather shocked and put off by film’s brutality, strictly vanilla by full blown “roughie” standards but potent stuff for a strongly self-regulating sex industry wary of testing legal waters during the film to video crossover era, Lynn’s performance vastly improves once she’s behind bars and has to fight tooth and nail to retain her dignity. Barely in her twenties, she can be easily forgiven for the silly self-conscious posturing during her early scenes as a wide-eyed Hollywood hopeful posing in front of the mirror as an imaginary camera clicks away.

Nichols suggests way more than the material supplies her with – so what else is new ? – and even Raven’s trademark lethargy is put to good use as she listlessly submits to guard Dick Howard (formerly “Tim Madigan” and subsequent Adam Film World editor in chief Jeremy Stone) to alleviate the humdrum day to day boredom. Her obligatory girl/girl bit with Ginger falls a bit flat however as the latter obviously over-emotes to compensate for her partner’s distinct lack of enthusiasm.

Tailored to fit the frugal production, narrative comes across lean and mean just as it should with little in the way of flab, unless you count dastardly George Payne more or less repeating Silvera’s shtick and humiliating our heroine once more for good measure. There’s one absolutely hilarious instance when a god-awful original song plays over one of the sex scenes and hollow tinny sound quality makes it seem like it was warbled live on set by some spectacularly untalented crooner just out of frame !

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